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ADDRESSING
ETHICAL STANDARDS
Almost a year ago
we wrote a short note for the newsletter (November/December 2003 issue)
to introduce our ASPB Policies and Procedures for Handling Allegations
of Author Misconduct. We wish that we could report back to you that this
had remained an academic exercise but, sadly, we have had a number of
instances in which issues of author misconduct have arisen. ASPB is not
unique in encountering such issues; this is an area affecting many, probably
all, professional societies and publishers.
One of the duties
of our Society is to raise the awareness of such issues among our membership
to help us all avoid violating acceptable ethical standards. Accordingly,
we have decided to run a series of articles in the newsletter in which
we systematically address ethical standards. With this issue we inaugurate
this series.
We thought that we
would start with a no-brainer, (the inappropriateness of) using image
manipulation software to improve ones data. Of course,
despite our tongue-in-cheek prose, and as obvious as it may seem that
this is a no-no, it happens. If the data look too good to be true, perhaps
they just might be! Now image manipulation encompasses a multitude
of sins, from out-and-out invention of data through the reassembly of
data bits into novel experimental results, to much more subtle
alterations of contrast and brightness to enhance ones
data. Where should one draw the line?
Happily, two of our
colleagues at The Journal of Cell Biology have done a marvelous
job of addressing these issues. Accordingly, we here reprint (WITH PERMISSION)
the introduction to their article, and we encourage all of you to read
their article in full at http://www.jcb.org/cgi/content/full/166/1/11
and to make it available to your labs and colleagues.
In the next issue
of the ASPB News, we will explain why our reprinting of this article does
not constitute plagiarism, the subject of our next discussion.
Rob McClung
Chair, Publications Committee, ASPB
Dartmouth College
Nancy Winchester
Director of Publications, ASPB
This article originally
appeared in The NIH Catalyst. It is reprinted with permission.
Whats
in a picture? The temptation of image manipulation
Mike Rossner1
and Kenneth M. Yamada2
1Managing Editor, The Journal of Cell Biology
2Editor, The Journal of Cell Biology, and the National
Institute of Dental and Craniofacial Research, National Institutes of
Health
Its all so easy
with Photoshop1. In the days before imaging software became so widely
available, making adjustments to image data in the darkroom required considerable
effort and/or expertise. It is now very simple, and thus tempting, to
adjust or modify digital image files. Many such manipulations, however,
constitute inappropriate changes to your original data, and making such
changes can be classified as scientific misconduct. Skilled editorial
staff can spot such manipulations using features in the imaging software,
so manipulation is also a risky proposition.
Good science requires
reliable data. Consequently, to protect the integrity of research, the
scientific community takes strong action against perceived scientific
misconduct. In the current definition provided by the U.S. government,
Research misconduct is defined as fabrication, falsification, or
plagiarism in proposing, performing, or reviewing research, or in reporting
research results. For example, showing a figure in which part of
the image was either selectively altered or reconstructed to show something
that did not exist originally (for example, adding or modifying a band
in a polyacrylamide gel image) can represent falsification or fabrication.
Being accused of misconduct
initiates a painful process that can disrupt ones research and career.
To avoid such a situation, it is important to understand where the ethical
lines are drawn between acceptable and unacceptable image adjustment.
Here we present some
general guidelines for the proper handling of digital image data and provide
some specific examples to illustrate pitfalls and inappropriate practices.
There are different degrees of severity of a manipulation, depending on
whether the alteration deliberately changes the interpretation of the
data. That is, creating a result is worse than making weak data look better.
Nevertheless, any manipulation that violates these guidelines is a misrepresentation
of the original data and is a form of misconduct. All of the examples
we will show here have been created by us using Photoshop; although they
may appear bizarre, it is remarkable that they are actually based on real
cases of digital manipulation discovered by a careful examination of digital
images in a sample of papers submitted (or even accepted) for publication
in a journal.
Why is it wrong
to touch up images?
If you misrepresent your data, you are deceiving your colleagues, who
expect and assume basic scientific honestythat is, that each image
you present is an accurate representation of what you actually observed.
In addition, an image usually carries information beyond the specific
point being made. The quality of an image has implications about the care
with which it was obtained, and a frequent assumption (though not necessarily
true) is that in order to obtain a presentation-quality image, you had
to carefully repeat an experiment multiple times.
Manipulating images
to make figures more simple and more convincing may also deprive you and
your colleagues of seeing other information that is often hidden in a
picture or other primary data. Well known examples include evidence of
low quantities of other molecules, variations in the pattern of localization,
and interactions or cooperativity.
Read this article
in its entirety by visiting http://www.jcb.org/cgi/content/full/166/1/11.
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